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Split Tooth: Saputjiji

Tanya Tagaq

Copyright information:JAN GATES

Split Tooth: Saputjiji is the new performance by Tanya Tagaq, based on her acclaimed book Split Tooth and her album Saputjiji. Tagaq is Inuk (plural: Inuit), one of the Indigenous Peoples of the Arctic regions of Canada. Her work is deeply rooted in Inuit community and culture: in a landscape of ice and light, but also marked by colonial history, violence, and cultural disruption.


Published in 2018, Split Tooth is a hybrid work: part poetry, part memoir, part mythology, and part raw coming-of-age story. It offers a powerful portrait of growing up as an Inuit girl in northern Canada. On stage, the universe of Split Tooth takes on physical form. Tagaq’s voice knows no bounds: she growls, whispers, sings, and tears open the silence. Rooted in Inuit throat singing, she moves between tradition, tenderness, and violence, weaving personal memories together with collective history.


The original concept is by Kaneza Schaal, previously at Holland Festival with Triptych in 2019 and known for her innovative work in opera and theatre, the performance brings together a multi-talented group of artists to the stage and creates a theatrical space where voice, landscape, and cosmos flow into one another. Tagaq has also appeared at Holland Festival before, giving a guest performance in 2016 with the Kronos Quartet.


Split Tooth: Saputjiji is intense and deeply sensory - an experience in which voice, body, and the Arctic landscape are inseparably intertwined.


Read the article Women who break barriers written by Evelien Lindeboom about female voices in Holland Festival 2026 here.


Below you will find the texts of two songs:


EXIT WOUND/LOVE SONG


You left but we live with your exit wound

Stunning burning smell that gun has

Satisfying pop up hand gun style 

Little kick makes your arm tingle 

And that three [oh three] so clean and strong 

Put that bullet in my mouth to warm it 

Keep a bullet in my mouth as a surprise 

Would love that bullet in my mouth to go [off]

Little pellets little pellets, let me in

Little pellets little pellets, let me out 

I’ll be your exit wound 

Put that bullet in my mouth to warm it 

Keep a bullet in my mouth as a surprise 

[Let] that bullet in my mouth just in case

Want that bullet in my mouth to go 

Please go 

 

 

EAT YOUR MORALS


Eat your morals

Your thoughts 

Your sinew 

Your pith 

Peel off your skin 

Your indignities 

Your strengths 

Your sheath 

I am in you then 

You are in me 

You are now me 

We absorb your strength 

We embrace your warmth 

Eat your eyes 

Your visions 

Your goals 

Your hunger 

Drink your blood 

Your breadth 

Your mettle 

Your fate 

I am you now 

My marrow 

Your heart 

My brain 

Your meat 

My meat 

You’re meat 

I’m meat



RAZORBLADES


Competition ignites itself

Like that time the glint from the midnight sun

Turned the razorblades blind

And I accidentally sliced you

Way too deep

Who can handle the biggest wound?

Who does not yield to pain or blood?

Poker face

Birth place

Rape face

Pain is not forever

But it is the doorway into the next realm

So we practice pain when there is no-one around

We create it and rehearse it

Hoping to prove our strength

Hoping to distract from the fear

Hoping to survive

Survival is competition

And it also ignites itself

Like the time you had to go and get the box of salt

Just to rub it in all our wounds

Screaming crying laughing

None of us were strong enough

None of us could hang on

To the straight face

To the toughness

We were children

Needing nurture

Not razorblades

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dates

Sun June 7 8:30 PM

prices

  • default from € 35
  • CJP € 22,75
  • HF Young from € 27,50
  • youth under 18 € 17,75

information

  • English, Inuktitut

  • 1 hour

  • all prices are including drink
more info
  • Tanya Tagaq, creation, performance

    Mike Clark

  • JAN GATES

Credits

creation Tanya Tagaq lead performance Tanya Tagaq performance Jean Martin, Jeffrey Zeigler, Varna GL, Nancy Mike, Celina Kalluk, Felipe Ugarte Aramburu, Naia Ugarte Gillis original concept Kaneza Schaal lighting design Jeannette Yew projection design Jeannette Yew scenic design Jeannette Yew sound technician Radwan Ghazi Moumneh light direction Kate McGee video projection Robin Ediger-Seto tourmanagement Dominique Sarrazin production management Dominique Sarrazin stage manager Griffin Elliot producer Sarah Rogers executive producer Helen Britton co-production National Arts Centre’s National Creation Fund, Banff Centre for Arts and Creativity, PuSh International Arts Festival, Holland Festival, Brooklyn Academy of Music’s NEXT WAVE Festival with support from Canada Council for the Arts